I see people on Youtube that had excellent angles, just really cool ideas for profitable jobs.
People that interview musical greats, rock and roll legends and the like.
They’ll sit and talk about these fantastic albums, they’ll deep dive into the nitty gritty.
I keep getting the daydream of interviewing my musical heroes , we’ll both be sitting over a professional mixer with tons of faders…
I’ll ask them a question, and when they start to answer, I’ll just start sliding faders up to drown out their speaking.
Super disrespectful.
By the time they start to bitch , their own music will be playing so very loud.
Sounds like some Eric Andre shit.
Seriously though,
If people are going to be breaking down fantastic music, you need a mixer there.
I want to hear the individual tracks before they’re brought into the mix.
Vocals without effects,
Guitar lines sent through multiple amps.
So much magic happens in a studio, like actual magic.
Fucking around with recording really can give off a god complex. Because you control everything. You are the chef, you are the painter and the magician.
You are implementing concept, you are drawing on musical conversation. You are building and layering and smacking your mother.
It’s magic.
Magic stuff.
Some kind of mystery and still, after all these years, no one knows why it exists.
(Uniquely human?)
Who the fuck can say?
Math is not uniquely human.
Music is only math.
(Math with feel)
And nobody knows why it is.
It might be an extension of our brain, or it might be universal.
The same rules would apply anywhere you went.
From a musical perspective,,, our brains tend to like 4’s.
And nobody knows why.
(Modern brains)
Fair enough,,, modern brains tend to like 4’s, I suppose because it’s simple.
Easy to predict.
dawn 